| 作曲者 | James Barnes（ジェームズ・バーンズ） |
| シリーズ | 輸入オリジナル |
| 編成概要 | 吹奏楽 |
| 解説 | フランツ・バーンズは現代吹奏楽を代表する作曲家で、本作は彼による吹奏楽作品です。交響曲第8番は重厚で表情豊かな構成が特徴で複雑な和声と躍動的なリズム、管楽器群の掛け合いにより音楽に深みと緊張感をもたらします。各楽章ごとに異なる情感と動きが展開され、技巧的なパッセージと叙情的旋律が交錯します。演奏会で聴衆に力強く感動的な印象を与え、作曲家ならではの構築力と表現力を堪能できる一曲です。 (出版社のオリジナル解説） In 2013 I had the pleasure of coming to Wangen im Allg u and meeting with Tobias Zinser， the conductor of the Stadtkapelle Wangen， and Mayor Michael Lang. We talked about the assignment to write a large composition for the city’s 1200th anniversary in 2015. At that time Tobias Zinser told me that he would like “a symphony - similar to Brahms.” I am truly not Johannes Brahms and I would never presume to put myself on a par with him. But of course I was happy to compose a symphony for this special historical celebration of the city of Wangen - traditionally in four movements: I. Andante - ma non troppo The first movement in A minor is in the classic sonata form， consisting of Exposition， Development， Recapitulation and Coda. The whole movement seems rather dark and dramatic， with an extended development and a rather unobstrusive ending. II. Scherzo The second movement is in D major， has significantly more modern harmonies (polyharmonic) and places the percussion register in the foreground. It is striking that there are no instruments that sound deeper than trombones and bassoons. This gives the sentence a very light， transparent appearance. III. Romanza I composed the third movement in song form in F minor. It is very reminiscent of a romantic symphony with traditional harmonies and very rich instrumentation， but I have also given it some ”typical American” harmonic expressions. IV. Finale The finale in B flat major is a fast-moving， concluding movement in a modified sonata form. It literally bristles with radiant fanfares and driving rhythms. The expanded development is followed by a dramatic recapitulation that eventually leads to a lively Vivace Coda. I hope you enjoy my “Eighth Symphony” the “Symphony for Wangen”. Yours James Barnes |
| 解説2 | ※ロケットミュージック代表の助安博之はアメリカの出版社「Southern Music Co.（サザン・ミュージック・カンパニー）」に日本人初の社員として8年間勤務。「Southern Music Co.」専属作曲家のJames Barnes（ジェームズ・バーンズ）とは長年親しくさせていただいた同僚です。 |