| 作曲者 | Gabriel Faur （ガブリエル・フォーレ） |
| シリーズ | ストリングオーケストラクラシック |
| 編成概要 | ヴァイオリン／ヴィオラ／チェロ |
| ページ数 | 1010119 |
| 校訂者 | Sobaskie， James William |
| 校訂者訳 | ジェームズ・ウィリアム・ソバスキー |
| 解説 | 晩年に到達した澄明な響きと内省的な旋律が交錯する、弦楽四重奏のためのパート譜セットです。自筆譜と初版を厳密に照合し、従来曖昧だった弦楽器のアーティキュレーションや、繊細な強弱の変化を精緻に反映しました。複雑に編み込まれた各声部の書法が判読しやすく、緻密なアンサンブルを構築する際に役立ちます。四人の奏者が深く対話し、作品の真価を存分に探求してください。 31，0 x 24，3 cm 〈出版社によるオリジナル解説〉 - First scholarly-critical edition of this work - High-quality Urtext edition based on “the Complete Works of Gabriel Faur ” - Standard repertoire work for every string quartet - Foreword (Eng/Fr/Ger) Gabriel Faur ’s only string quartet which was composed in 1923-24 is the composer’s final work and was written at the suggestion of his publisher Jacques Durand. Until then， Faur had always put off writing a string quartet， evidently because of Beethoven’s imposing shadow. When Faur composed the quartet he was already extremely ill. He added dynamics and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger- Ducasse to complete the work. Roger- Ducasse’s additions were however very extensive; he even altered and supplemented some of Faur ’s own markings in the exposition. B renreiter’s first ever scholarly critical edition of the quartet utilises all sources including the composer’s letters which provide valuable insights into the origins of the composition. In particular， Faur ’s penultimate work， the Piano Trio op. 120， was used to guide the editor with his emendations. |
| 編成 | String quartet |