| 作曲者 | Felix Mendelssohn Bartholdy（フェリックス・メンデルスゾーン） |
| シリーズ | オーケストラスコア |
| 編成概要 | 独唱／混声合唱／オーケストラ |
| ページ数 | 210 |
| 校訂者 | Cooper， John Michael |
| 解説 | 本品はスコアのみの販売です。冬の嵐から春の到来、そして異教の祭典での「擬似的な騒乱」へと至るゲーテの劇的世界を、最新校訂による鮮明な音像で再現しています。合唱を鼓舞する打楽器の鋭い打点や、追手を欺くための狂乱的な管楽器のリズムが、自筆譜の精査により論理的に整理されています。重層的な声部と劇的な音響の推移を迷わず一望できます。 31，0 x 24，3 cm 〈出版社によるオリジナル解説〉 - One of Mendelssohn’s most important secular works in an edition reflecting the latest research findings - B renreiter Urtext for the Mendelssohn anniversary year 2009 - Critical Commentary (Eng) During the summer of 1799， Goethe wrote his ballad “Die erste Walpurgisnacht” and asked his friend Carl Friedrich Zelter to set the work to music. Zelter however， felt unable to do this， and so Goethe’s wish was only realised thirty years later by Felix Mendelssohn Bartholdy. The “heavenly words” of the pagan ballads had impressed the composer so much after a visit to Weimar， that he was inspired to set them to music. In 1832 the composition took shape and was performed a year later in the Sing-Akademie in Berlin. Mendelssohn was， however， unhappy with the first version of the work and held it back， until he decided on a radical revision of the work ten years after its premiere. “Die erste Walpurgisnacht” was first performed in 1843 in Leipzig， in the presence of Robert Schumann and Hector Berlioz， in the form in which the work is still performed today. The publication of this edition by John Michael Cooper makes the work available in an Urtext edition for the first time. The edition reflects the latest state of research， and the volume includes a Critical Commentary. |
| 編成 | Vocal， Mixed choir， Orchestra |