| 作曲者 | Antonin Dvorak（アントニン・ドヴォルザーク） |
| シリーズ | オーケストラスコア |
| 編成概要 | チェロ／オーケストラ |
| ページ数 | 118 |
| 校訂者 | Del Mar， Jonathan |
| 校訂者訳 | ジョナサン・デル・マール |
| 解説 | 本品はスコアのみの販売です。独奏チェロが管弦楽の荒波を突き抜けて響く、協奏曲の金字塔を収めています。木管の対位法や金管の咆哮など、スコアを俯瞰することで初めて見える音の重なりが鮮明に浮かび上がります。本版はパート譜との整合性が高く、オーケストラ全体の音色の混ざり具合や発音のタイミングを緻密に調整する際の強力な手がかりとなるでしょう。楽曲の構造を洞察するのに最適です。 31，0 x 24，3 cm 〈出版社によるオリジナル解説〉 - With Dvor k’s final and definitive version of the solo cello part - With hundreds of corrections in the solo cello part as well as the orchestral parts - With Dvor k’s original piano reduction - With Feuermann’s and Casals’ alternatives to a passage in the first movement Like every other great 19th-century solo concerto， Dvor k’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvor k’s autograph score were actually written by the cellist Hanu Wihan; but B renreiter’s edition now reveals that some details in the orchestral parts are also in his writing， showing just how closely the two musicians were working together. The editor Jonathan Del Mar has painstakingly examined all the surviving sources， including two that have hitherto been either ignored or crucially undervalued， in order to produce an authoritative edition which restores for the first time since the original edition was published in 1896 - Dvor k’s final and definitive version of the solo cello part. This differs， in details， in almost every bar from the version found in all other modern editions， while hundreds of corrections have also been made to the orchestral parts. |
| 編成 | Violoncello， Orchestra |