| 作曲者 | Felix Mendelssohn Bartholdy（フェリックス・メンデルスゾーン） |
| シリーズ | フルオーケストラクラシック |
| 編成概要 | 独唱／混声合唱／オーケストラ／オルガン |
| ページ数 | 450 |
| 校訂者 | Seaton， Douglass |
| 解説 | 4人の独唱、混声合唱、三管編成の管弦楽による、大規模なオラトリオのフルスコアとパート譜のセットです。劇的な合唱の咆哮と、内省的な独唱の旋律が交互に現れ、宗教曲特有の重厚な和声を構築します。初演後の入念な改訂を反映した決定稿を底本とし、最新の学術的検証を経てオーケストラのダイナミクスや合唱の配置を精確に記されています。 33，0 x 26，5 cm 〈出版社によるオリジナル解説〉 - One of Mendelssohn’s most popular works， in an edition reflecting the latest editorial knowledge - B renreiter-Urtext， including numbers from the original version for the first time - English and German singing texts Immediately after completing “St. Paul” in 1836， Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of “Elijah” which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival， Mendelssohn finally embarked on work on the oratorio. “Elijah” was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since. Following the first performance， Mendelssohn undertook a revision of the oratorio in which whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today. This Urtext edition of the oratorio edited by the Mendelssohn specialist Douglass Seaton is based on all critical sources. The edition reflects the latest research findings and includes both English and German singing texts. A critical commentary completes the new edition. |
| 編成 | Vocal， Mixed choir， Orchestra |