| 作曲者 | Antonin Dvorak（アントニン・ドヴォルザーク） |
| シリーズ | フルオーケストラクラシック |
| 編成概要 | チェロ／オーケストラ |
| ページ数 | 118 |
| 校訂者 | Del Mar， Jonathan |
| 校訂者訳 | ジョナサン・デル・マール |
| 解説 | 独奏チェロと管弦楽による、交響的な響きを持つドヴォルザークの名協奏曲の原典版フルスコアとパート譜セット。勇壮な第一主題と哀愁漂う旋律が対比され、楽器間の緊密な対話が展開されます。作曲者自身の最終的な修正案に基づき、独奏パートのアーティキュレーションやダイナミクスを反映。オーケストラとのバランスを精査し、本来の意図に沿った解釈を深めるための決定版です。 31，0 x 24，3 cm 〈出版社によるオリジナル解説〉 - With Dvor k’s final and definitive version of the solo cello part - With hundreds of corrections in the solo cello part as well as the orchestral parts - With Dvor k’s original piano reduction - With Feuermann’s and Casals’ alternatives to a passage in the first movement Like every other great 19th-century solo concerto， Dvor k’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvor k’s autograph score were actually written by the cellist Hanu Wihan; but B renreiter’s edition now reveals that some details in the orchestral parts are also in his writing， showing just how closely the two musicians were working together. The editor Jonathan Del Mar has painstakingly examined all the surviving sources， including two that have hitherto been either ignored or crucially undervalued， in order to produce an authoritative edition which restores for the first time since the original edition was published in 1896 - Dvor k’s final and definitive version of the solo cello part. This differs， in details， in almost every bar from the version found in all other modern editions， while hundreds of corrections have also been made to the orchestral parts. |
| 編成 | Violoncello， Orchestra |