{"title":"輸入,オーケストラ,series__SCO,genre__オーケストラフルスコア","description":null,"products":[{"product_id":"sco1306","title":"チャイコフスキー／交響曲 第6番 ロ短調 op. 74「悲愴」（ドイツ版）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The final symphony by Peter Ilyitch Tchaikovsky， and the final premiere he attended before his death， SYMPHONY NO. 6 \"PATHETIQUE\" is a bit enigmatic.  In the original Russian， the title would translate to \"The Passionate Symphony，\" or perhaps \"The Emotional Symphony.\"  When translated to French， it was called \"pathetique，\" which more narrowly suggests that the passion or emotion is solemnity， though this is not necessarily the composer’s intention.  Tchaikovsky himself asserted when asked by Nikolai Rimsky-Korsakov that the symphony was programmatic， but he refused to divulge the program.  And the quiet， fading end of the final movement， so unlike the more rousing finish common to symphonies at the time， plus the brief quotation from the Russian Orthodox requiem at the end of the first movement， piqued interest and speculation about the intent of the music.  That Tchaikovsky died (generally ascribed to cholera) so soon after the premiere， with unique features of the music and unnamed program mentioned above， has led to numerous theories over the years regarding any hidden intent or message in this beautiful work.  Instrumentation in set: 3(3dPicc).2.2.2: 4.2.3.1: Timp.Perc(2). Str (9-8-7-6-5 in set).  (Note: It has become tradition， though it is not mentioned in the score， to emply a bass clarinet doubled by the 2nd clarinetist to replace the solo bassoon for the four notes immediately preceding the Allegro vivo section of the first movement due to the near impossibility for a bassoonist to execute the passage at the indicated dynamic of pppppp.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473685573,"sku":"SCO1306","price":17721.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1306.jpg?v=1793074314"},{"product_id":"sco1309","title":"チャイコフスキー／なつかしい土地の思い出 op. 42 より 第2曲 スケルツォ（グラズノフ編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》SOUVENIR D’UN LIEU CHER (Memory of a dear place) is a set of three pieces originally written for violin and piano written around the same time as Tchaikovsky’s Violin Concerto. The piece was finished in May 1878 while Tchaikovsky was living on an idyllic country estate in the Ukrainian village of Brailov. This version was orchestrated by famed Russian composer， music teacher and conductor， Alexander Glazunov. Instrumentation: 2.2.2.2: 2.0.0.0: Hp: Str(9-8-7-6-5): Solo Violin in set.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473751109,"sku":"SCO1309","price":2079.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1309.jpg?v=1793074281"},{"product_id":"sco1308","title":"チャイコフスキー／協奏的幻想曲 ト長調 op. 56《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Captivated by the playing of famed Franz Liszt pupil Eugen d’Albert during the 1883-1884 concert season， Peter Ilyitch Tchaikovsky (1840-1893) began work on Concert Fantasia. After an arduous composition process， on which the composer himself remarked， 的 stopped playing around and came up with something... but it still sounded too poor and unoriginal... Tchaikovsky laid aside Concert Fantasia and began sketching out his Third Orchestral Suite. He eventually returned to and finished Concert Fantasia in June of 1884， with the surprising addition of the second movement Contrastes. Originally composed as the first movement of his Third Orchestral Suite but ultimately rejected， Tchaikovsky reservedly added it as a second movement to Concert Fantasia. While recognizing and wishing to use the movement for its own merits， he still harbored doubts and added an alternative solo cadenza to the end of the first movement in case Contrastes was to be omitted. The Russian Musical Society under the direction of Max Erdmannsdfer premiered the work in 1855. In the two decades after its debut， Concert Fantasia received many performances but disappeared from the repertoire until it underwent a revival in the latter part of the 20th century. Instrumentation: 3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano].\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473718341,"sku":"SCO1308","price":16632.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1308.jpg?v=1793074278"},{"product_id":"sco1301","title":"チャイコフスキー／バレエ「眠りの森の美女」（全曲） op. 66（シンプソン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Russian Mythology\/Legends Children’s Ballet (complete)\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473849413,"sku":"SCO1301","price":83160.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1301.jpg?v=1793074308"},{"product_id":"sco1307","title":"チャイコフスキー／ロココ風の主題による変奏曲 op. 33（第2稿）（フィッツェンハーゲン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》This Mozart-inspired work， completed in January of 1877， was the first composition by Tchaikovsky for cello and orchestra. This version of Variations on a Rococo Theme， heavily edited by Wilhelm Fitzenhagen， to whom the work was dedicated， was the only version known for many years. An edition by Paul Tobias and A. Stogorski that is reconstructed to the original version is also available from the publisher. Instrumentation: Solo Cello: 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473783877,"sku":"SCO1307","price":5247.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1307.jpg?v=1793074280"},{"product_id":"sco1305","title":"チャイコフスキー／交響曲 第4番 ヘ短調 op. 36（ロシア版）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Peter Ilyitch Tchaikovsky (1840-1893) began work in 1877 and finished it the following year. Begun soon after Tchaikovsky established his relationship with long-time patroness Nadezhda von Mech， SYMPHONY No. 4， Op. 36 was dedicated to her， and she requested that the work include a program describing the work. The composer obliged， and the resulting program has resulted in the work sometimes receiving the nickname ”Fatum” or ”Fate.” While the symphony was met with a lukewarm reception at its February 22， 1878 premiere with the Russian Musical Society under Nikolai Rubinstein， it has since become a staple of the concert repertoire. The current edition is the original Russian， but the German edition is also available from the publisher under publisher’s code A6150. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473816645,"sku":"SCO1305","price":16632.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1305.jpg?v=1793074288"},{"product_id":"sco1302","title":"チャイコフスキー／組曲「白鳥の湖」 op. 20a（校訂版）（シンプソン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》While the original ballet， the story of Prince Siegfried’s love for the Swan Queen， enchanted by the evil magician Rotbart to turn into a swan everyday， more or less succeeded at its 1877， Moscow premiere， Tchaikovsky was very concerned that the music be saved from the oblivion common to ballet scores.  Inspired by the French composer Delibes， he thought to create a concert suite of the music.  No further correspondence on the idea exists， but a Swan Lake Suite， Op. 20a was published seven years after Tchaikovsky’s death in 1900， containing six numbers from the ballet， though it remains uncertain whether they were selected by the composer or someone else， leaving the exact authorship of the suite unknown.  This edition offered by Carl Simpson pulls from multiple sources and restores the final movement to its rightful place at the end while retaining three wonderful dance movements that were added to a later Soviet score， bringing the number of movements to nine， though it may performed as the original suite of six movements merely by omitting the additional three movements from performance.  Movements: 1. Scene， 2. Valse， 3. Danse de Cygnes， 4. Pas d’Action， 5. Czardas - Danse Hongroise， 6. Danse Espagnole， 7. Danse Napolitaine， 8. Mazurka， 9. Scene et Finale. Instrumentation: 2+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc (3): Hp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473914949,"sku":"SCO1302","price":17721.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1302.jpg?v=1793074279"},{"product_id":"sco1304","title":"チャイコフスキー／交響曲 第1番 ト短調 op. 13「冬の日の幻想」（第3稿）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473882181,"sku":"SCO1304","price":16632.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1304.jpg?v=1793074308"},{"product_id":"sco1300","title":"チャイコフスキー／組曲「眠りの森の美女」 op. 66a（シンプソン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The Sleeping Beauty ballet in 3 acts， which tells the story of conflicting forces of good and evil， incorporates various fairy-tale characters from the Brothers Grimm and French fairy tales. Tchaikovsky’s (1840-1893) longest ballet， the work was met with a favorable response following the January 15th， 1890， premiere at the Imperial Mariinsky Theatre in St. Petersburg， but the composer would not live to see the work become the mainstay of the ballet repertoire that it has enjoyed for over one hundred years. The suite， which includes five movements (1. Introduction et La F馥 des Lilas， 2. Pas d’Action， 3. Pas de Caract鑽e， 4. Panorama， 5. Valse) was an idea that Tchaikovsky considered in February of 1890. However， unable to settle on which sections to include， the composer rejected the idea for himself， preferring to have each individual number released in succession. Following his death， this five-movement suite (Op. 66a) was released from the publisher Jurgenson， likely edited by Aleksandr Ziloti. This this version has been edited and reengraved by Carl Simpson. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473947717,"sku":"SCO1300","price":11484.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1300.jpg?v=1793074283"},{"product_id":"sco1303","title":"チャイコフスキー／バレエ「白鳥の湖」（全曲） op. 20（校訂版）（シンプソン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》One of the most popular ballets， Pyotr Ilich Tchaikovsky (1840-1893) composed SWAN LAKE in 1875-76. Tchaikovsky borrowed from the Russian and German folk tales to tell the of story a princess， Odette who was turned into a swan by an evil sorcerer痴 curse. SWAN LAKE premiered on March 4， 1877， at the Bolshoi Theatre in Moscow. The present edition by Carl Simpson is based upon the full score issued by P. Jurgenson sometime between 1881 and 1896 and the Nikolai Kashkin piano reduction. Instrumentation: 2+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc(5-6): Hp: Str(4.4.3.3.3 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141473980485,"sku":"SCO1303","price":83160.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1303.jpg?v=1793074308"},{"product_id":"sco1299","title":"チャイコフスキー／大序曲「1812年」 op. 49（シュメリング編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Among the most frequently performed and well-known of P. I. Tchaikovsky’s (1840-1893) works， The Year 1812， Solemn Overture， Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon’s invading French army by the Russians. Despite the composer’s lack of enthusiasm about the project at its inception， claiming that he ”wrote it without any warm and loving feelings，” Tchaikovsky acknowledged later that he did well in its composition， saying ”I absolutely do not know whether my overture (”The Year 1812”) is good or bad， but I rather think it is the former (pardon my immodesty).” It premiered on August 20， 1882， in Moscow at the Art \u0026amp; Industry Exhibition， Ippolit Altani conducting. Famous for its use of cannons in the Finale， the Finale also calls for the inclusion of a military brass band， which is labelled as ”open” instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474013253,"sku":"SCO1299","price":7326.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1299.jpg?v=1793074299"},{"product_id":"sco1298","title":"チャイコフスキー／バレエ「くるみ割り人形」（全曲） op. 71《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The Nutcracker is a two-act \"fairy ballet\" written by Peter Ilyitch Tchaikovsky (1840-1893). Based on E. T. A. Hoffmann’s 1816 short story， \"The Nutcracker and the Mouse King，\" the original 1892 production， choreographed by Marius Petipa and Lev Ivanov in Saint Petersburg， was not considered a success， although the 20-minute suite extracted by the composer was. Starting in the 1960s， the popularity of the full ballet has grown enormously， with frequent performances every Christmas season among the major ballet companies. Instrumentation: 3(2\u0026amp;3dPicc).2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(3-4).Toy Drum: Toy Tpt: Hp(2).Clst: Str (4-4-3-3-3 in set): Childrens Chorus (available separately). This is the complete ballet in its original orchestration. Reduced orchestrations are also available from Edwin F. Kalmus.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474046021,"sku":"SCO1298","price":57222.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1298.jpg?v=1793074280"},{"product_id":"sco1297","title":"チャイコフスキー／組曲「くるみ割り人形」 op. 71a《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The orchestral Suite No. 1 from Tchaikovsky’s well-known ballet， THE NUTCRACKER， includes eight movements: I. Ouverture Miniature - Allegro giusto， II. Danses Caracteristiques a) Marche， b) Danse de la Fee-Dragee， c) Danse russe Trepak， d) Danse Arabe， e) Danse Chinoise， f) Danse des Mirlitons， III. Valse des Fleurs.  \u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474111557,"sku":"SCO1297","price":14553.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1297.jpg?v=1793074282"},{"product_id":"sco1296","title":"チャイコフスキー／スラヴ行進曲 op. 31《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Marche Slave， Op. 31， (”Slavonic March”) was first performed in Moscow in November 1876. It is a rousing patriotic work based on Serbian and Russian folk themes. Tchaikovsky was commissioned to write the piece specifically for a concert to benefit Serb soldiers wounded while fighting (with help from Russian volunteers) against the Ottoman Empire. Hence， the title declared it a march for all Slavs rather than simply for Russians. Though relatively brief， the piece includes a number of distinct moods; bright， festive passages contrast with ominous ones. At several moments， different sections of the orchestra carry their own melodies at the same time， creating a layered effect. Instrumentation: 2+2Picc.2.2.2: 4.2+2Crt.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474078789,"sku":"SCO1296","price":8316.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1296.jpg?v=1793074306"},{"product_id":"sco1295","title":"チャイコフスキー／マンフレッド交響曲 op. 58《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Tchaikovsky’s largest symphony both in length and instrumentation， the MANFRED SYMPHONY remained unnumbered， though it was written between his 4th and 5th symphonies.  A programmatic symphony based on a poem of the same name written by Lord Byron， the work is demanding for orchestras， though some， including Arturo Toscanini， consider it among the composer’s best works. Instrumentation: 3(3dPicc).2+EH.2+BCl.3: 4.2+2Crnt.3.1: Timp.Perc(4-5): Hp(2): Harmonium: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474275397,"sku":"SCO1295","price":36432.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1295.jpg?v=1793074288"},{"product_id":"sco1294","title":"チャイコフスキー／歌劇「エフゲニー・オネーギン」 op. 24 より ワルツ（第2幕 第13a曲）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474308165,"sku":"SCO1294","price":4158.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1294.jpg?v=1793074276"},{"product_id":"sco1293","title":"チャイコフスキー／歌劇「エフゲニー・オネーギン」 op. 24 より ポロネーズ（第3幕 第19曲）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》EUGENE ONEGIN， based on a verse-novel by Alexander Pushkin， is Peter Ilyitch Tchaikovsky’s (1840-1893) best-known opera. The story depicts the life of the titular Onegin， a Russian dandy who does not understand himself， his emotions， or the value of life， leading him to reject an impassioned declaration of love by a woman he looks down upon and instead pursue the fianc馥 of his friend， who he kills in a duel as a result of this pursuit. The jubilant POLONAISE， a Polish folkdance that had become an art form for the concert hall by the 19th Century， is performed at a grand ball at the beginning of Act III， which marks the reappearance after five years of the woman Onegin had rejected so callously before， though she is now married to a prince， resulting in Onegin’s new realization that he loves her. This development takes place against the musical background of the brilliant fanfares of the POLONAISE， fanfares that are appropriately offset by melancholy in the contrasting cello theme. This orchestral interlude has proven itself as popular as the full opera. Instrumentation in set: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474340933,"sku":"SCO1293","price":3168.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1293.jpg?v=1793074286"},{"product_id":"sco1292","title":"チャイコフスキー／イタリア奇想曲 op. 45《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Peter Ilyitch Tchaikovsky (1840-1893) composed Capriccio Italien， Op. 45， in 1880 following a trip to Rome with his brother， Modest. Originally titled Italian Fantasia， the work incorporates the music he heard from his room and on the streets during Carnivale in a single fantasy， using the orchestra to create a uniquely Tchaikovsky sound portrait. It was first performed on December 18， 1880， by the Russian Musical Society Orchestra， Nikolay Rubinstein conducting， and it has been a mainstay in concert halls since. Instrumentation: 3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474373701,"sku":"SCO1292","price":7326.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1292.jpg?v=1793074299"},{"product_id":"sco1291","title":"テレマン／組曲 イ短調 TWV 55:a2（ビュットナー編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》One of G.P. Telemann’s most performed flute works， this suite stands out for the composer’s use of various styles known to him for each of the movements.  The processional Overture is the best known of the movements， but the complete suite is a must to include in any flute player’s repertoire.  Movements: 1. Ouverture， 2. Les Plaisirs， 3. Air l’Italien (Largo-Allegro)， 4. Menuet I and II (alternativement)， 5. R駛ouissance， 6. Passepied I and II， and 7. Polonaise\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474537541,"sku":"SCO1291","price":4158.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1291.jpg?v=1793074277"},{"product_id":"sco1290","title":"スヴェンセン／ロマンス ト長調 op. 26《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474570309,"sku":"SCO1290","price":2079.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1290.jpg?v=1793074306"},{"product_id":"sco1288","title":"R.シュトラウス／ヴァイオリン協奏曲 ニ短調 op. 8《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR， Op. 8， between 1881 and 1882， and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition， the work is not considered as distinctive as the works he would produce only a few years later， and Strauss himself later ridiculed the work. Still， with inventive and bold writing in the solo and hints of his mature harmonic style to come， there is much to enjoy in the work， including its warmth， youthful sincerity， and lyrical expression， so that it should not be dismissed as mere juvenilia， either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5， 1882， with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4， 1890， with Walter again performing the solo with an orchestra conducted by Franz W?lner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474635845,"sku":"SCO1288","price":11484.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1288.jpg?v=1793074307"},{"product_id":"sco1287","title":"R.シュトラウス／ピアノと管弦楽のための「ブルレスケ」 ニ短調 TrV 145《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bulow， a large influence on Strauss’ career. Von Bulow， however， consider the work a ”complicated piece of nonsense” and wanted nothing to do it. Discouraged， Strauss set the work aside until 1889， when he met Scottish pianist Eugen d’Albert， who liked it while also suggesting some changes. With a new title， Burleske， and a dedication to d’Albert， the work was premiered on June 21st， 1890 in Eisenach at the Tonk?stlerfest with d’Albert at the piano and Strauss conducting. Despite this， Strauss remained convinced that the work lacked merit and refused to have the work published until 1894， although it eventually became one of his favorite works. Strauss never gave the work an opus number， but many consider it to be Op. 11， which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474701381,"sku":"SCO1287","price":8316.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1287.jpg?v=1793074290"},{"product_id":"sco1289","title":"ストラヴィンスキー／交響曲 第1番 変ホ長調 op. 1《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Written while still a student of Nicolai Rimsky-Korsakov， Stravinsky was encouraged to begin work on this piece for full orchestra in 1905. The young composer’s first composition foray beyond piano， it counts as his first publication and opus number. Consulting his mentor frequently， a great deal of Rimsky-Korsakov can be heard in the work， as well as Tchaikovsky and Glazunov， showcasing Stravinsky’s ability to creatively assimilate other styles as he channels the spirit of the Russian high Romantic era， though his own voice can be heard in transitions and irregular phrases. The work is dedicated \"To my dear teacher N. A. Rimsky-Korsakov，\" though later recalled by Stravinsky， the master and Glazunov both thought the orchestration \"too heavy\" after hearing the first private April 27， 1907 performance by the St. Petersburg Court Orchestra. The first public performance took place on January 22 of 1908， after which the work was revised， with the new revision being performed first on April 2， 1914. This revised version is preferred by Stravinsky， and he always performed it in his later concerts. Instrumentation in set: 3(3dPicc).2.3.2: 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474603077,"sku":"SCO1289","price":20790.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1289.jpg?v=1793074292"},{"product_id":"sco1286","title":"R.シュトラウス／セレナード 変ホ長調 op. 7《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Written in 1881， this Serenade for 13 wind instruments was written by Richard Strauss when he was only 17 years old. His father， the principal horn player with Munich’s court orchestra， had a select list of older composers that he preferred， including Mozart and Mendelssohn， and his father’s influence can be seen in his son’s work， both in the inclusion of a larger horn section and the use of his father’s more conservative musical preferences. The work is much more than simply a capable imitation of Mozart and Mendelssohn， though. It represents Strauss’ filtering and distillation of these influences into something remarkably original and identifies the young man’s future as one of the great composers.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474668613,"sku":"SCO1286","price":3168.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1286.jpg?v=1793074284"},{"product_id":"sco1285","title":"R.シュトラウス／交響詩「マクベス」 op. 23《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Written between 1886 and 1888， Richard Strauss’ (1864-1949) MACBETH， Op. 23 was the then young composer’s first tone poem， which he described as ”a completely new path” in his composition. It premiered in Weimar with the Court Orchestra on October 13， 1890， Strauss himself conducting. Instrumentation: 3(3dPicc).2+EH.2+BCl.2+CBsn: 4.3+BsTpt.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474734149,"sku":"SCO1285","price":10395.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1285.jpg?v=1793074293"},{"product_id":"sco1283","title":"R.シュトラウス／交響詩「ティル・オイレンシュピーゲルの愉快ないいたずら」 op. 28（ニーウェグ編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Till Eulenspiegel’s Merry Pranks (lustige Streiche)， is a tone poem written in 189495 by Richard Strauss. It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel， who is represented by two themes. The first， played by the horn， is a lilting melody that reaches a peak， falls downward， and ends in three long， loud notes， each progressively lower. The second， for D clarinet， is crafty and wheedling， suggesting a trickster doing what he does best.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474766917,"sku":"SCO1283","price":7326.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1283.jpg?v=1793074276"},{"product_id":"sco1282","title":"R.シュトラウス／交響詩「死と変容（死と浄化）」 op. 24（ニーウェグ編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》German Tone Poems， Nieweg Performance Editions\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474799685,"sku":"SCO1282","price":10395.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1282.jpg?v=1793074276"},{"product_id":"sco1284","title":"R.シュトラウス／交響詩「ドン・ファン」 op. 20（校訂版）（ニーウェグ＆ブラッドバード編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Strauss’s tone poem Don Juan was composed in 1888. The work is based on Don Juans Ende， a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. This publication is a Critical Edition based on the composer’s manuscript， edited by Clinton F. Nieweg and Nancy Bradburd.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474832453,"sku":"SCO1284","price":11484.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1284.jpg?v=1793074305"},{"product_id":"sco1281","title":"ヨーゼフ・シュトラウス／ワルツ「天体の音楽」 op. 235《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474865221,"sku":"SCO1281","price":4158.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1281.jpg?v=1793074277"},{"product_id":"sco1280","title":"ヨハン・シュトラウス2世／ポルカ・シュネル「雷鳴と稲妻」 op. 324《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474897989,"sku":"SCO1280","price":3168.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1280.jpg?v=1793074275"},{"product_id":"sco1278","title":"ヨハン・シュトラウス2世／喜歌劇「ジプシー男爵」序曲《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141474930757,"sku":"SCO1278","price":5247.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1278.jpg?v=1793074277"},{"product_id":"sco1279","title":"ヨハン・シュトラウス2世／ワルツ「愛の歌」 op. 114（コンデンススコア）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Written by the ”Waltz King” Johann Strauss II (1825-1899) in 1852， Liebeslieder Waltzes (Liebeslieder Walzer) is essentially a love serenade written in 3\/4 time， consisting of seven sections: an Introduction， five different Waltzes， then a Coda. Written at a time early in the composer’s career， Strauss’ works did not receive much attention when this piece was published， though that certainly did change later. The premiere took place at Vienna’s Volksgarten by the composer’s own Strausskapelle on June 18， 1852. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.1.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): CS (Pno-Cond) in set.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475094597,"sku":"SCO1279","price":1683.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1279.jpg?v=1793074294"},{"product_id":"sco1277","title":"ヨハン・シュトラウス2世／フリオーソ・ポルカ op. 260《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475127365,"sku":"SCO1277","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1277.jpg?v=1793074277"},{"product_id":"sco1276","title":"ヨハン・シュトラウス2世／歌劇「こうもり」序曲《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer’s best known operetta， though \"The Waltz King\" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes， masked identities， the test of true love， and other shenanigans， the original source is a play by German playwright Julius Roderich Benedix (Das Gef舅gnis)， which was translated into a French vaudeville play， \"Le r騅eillon\" by Henri Meilhac and Ludovic Hal騅y， which was then translated back to German by Karl Haffner， whose translation was finally used as the source for the libretto by Richard Gen鐺. Written following a couple of less successful efforts to enter the opera world， this light opera premiered at the Theater an der Wien in Vienna on April 5th， 1874， and remains one of the most popular in the contemporary repertoire. The overture also remains one of the most popular works in the orchestral repertoire. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(3): Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475160133,"sku":"SCO1276","price":5247.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1276.jpg?v=1793074293"},{"product_id":"sco1275","title":"ヨハン・シュトラウス2世／ワルツ「皇帝円舞曲」 op. 437《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Johann Strauss， Jr. (1825-1899) wrote the KAISER-WALZER， Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock， his publisher， diplomatically suggested the name of the waltz so that it could be attributed to either emperor， depending on the circumstances of each performance. Originally titled HAND IN HAND， its first performance took place on October 21 of that year in Berlin. In character with the affluent nature of its subjects， the EMPEROR WALTZ sways with pomposity and grandeur. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set). Reprint edition.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475192901,"sku":"SCO1275","price":5247.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1275.jpg?v=1793074301"},{"product_id":"sco1274","title":"ヨハン・シュトラウス2世／エジプト行進曲 op. 335《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475225669,"sku":"SCO1274","price":3168.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1274.jpg?v=1793074304"},{"product_id":"sco1273","title":"ヨハン・シュトラウス2世／ワルツ「美しく青きドナウ」 op. 314《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》An der Schonen Blauen Donau (On the Beautiful Blue Danube)， Op. 314， written by Johann Strauss II (1825-1899) is one of the most popular works in classical music， and remains well-known in popular culture. Written in 1866， it premiered on February 15 of the following year in Vienna at a Wiener Mannergesangverein concert， Strauss conducting. It has been arranged for different ensembles numerous times， and it has been used in everything from Warner Brothers cartoons to major science fiction films to video game scores. Instrumentation: 2(2nd dPicc.2.2.2: 4.2.1.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475258437,"sku":"SCO1273","price":4158.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1273.jpg?v=1793074293"},{"product_id":"sco1271","title":"シュポア／協奏的四重奏曲 イ短調 op. 131《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Louis Spohr (1784-1859)， a German composer， conductor， and violinist， formed an acquaintance with Beethoven and， although greatly critical of his ninth symphony， promoted much of his work. His innovations include the violin chinrest and the rehearsal mark. From 1822 until the end of his life， at the prompting of Carl Maria von Weber， he served under William II at the court of Kassel. Despite its gloomy opening， the CONCERTANTE QUARTET (STRING QUARTET CONCERTO) in A minor， Op. 131， is a warm and richly melodic work scored for string quartet and orchestra. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4.4.3.3.3: Solo Str Quartet in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475291205,"sku":"SCO1271","price":14553.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1271.jpg?v=1793074275"},{"product_id":"sco1272","title":"シュターミッツ／ヴィオラ協奏曲 第1番 ニ長調 op. 1（ゾルダン編）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475323973,"sku":"SCO1272","price":5247.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1272.jpg?v=1793074276"},{"product_id":"sco1270","title":"スメタナ／歌劇「売られた花嫁」 B. 143 より 3つの踊り《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475356741,"sku":"SCO1270","price":36432.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1270.jpg?v=1793074274"},{"product_id":"sco1269","title":"スメタナ／歌劇「売られた花嫁」 B. 143 より 3つの踊り《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475389509,"sku":"SCO1269","price":10395.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1269.jpg?v=1793074274"},{"product_id":"sco1268","title":"スメタナ／連作交響詩「わが祖国」より 第2曲 モルダウ（ヴルタヴァ）《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》M vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works， though commonly presented as a single work in six movements， each symphonic poem reflects the ideals of nationalistic music pioneered in the late nineteenth century， with each depicting an aspect of Bohemia’s countryside， history， or legends. The second and most popular of the six symphonic poems， Vltava (The Moldau)， describes the course of the Moldau River from its beginnings as two springs to its ends as a majestic and mighty river. Movements: I. The Two Sources of the Moldau; II. Forest Hunt， III. Peasant Wedding， IV. Moonlight: Nymphs’ Dance， V. St. John’s Rapids， VI. The Moldau at its Greatest Breadth， VII. Vysehrad Motive (Symphonic Poem No. 1). Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). Clarinet， horn， and trumpet parts are also transposed; trombone parts include alto\/tenor clef and bass clef versions.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475422277,"sku":"SCO1268","price":8316.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1268.jpg?v=1793074297"},{"product_id":"sco1267","title":"シベリウス／交響詩「エン・サガ（伝説）」 op. 9《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Jean Sibelius (1865-1957) first composed the tone poem En Saga， Op. 9 in 1892， with the work premiering on February 16th， 1893， with Sibelius conducting the Helsinki Philharmonic. While one might imagine some epic， adventurous inspiration， Sibelius was largely adamant that no program existed. The piece received wider acclaim in 1902 when the composer’s friend Ferruccio Busoni asked Sibelius to supply an orchestral piece for a series of concerts in Berlin， with the composer himself conducting his work. Sibelius chose En Saga in the end but revised the work first. This revised version was first performed with the Helsinki Philharmonic again on November 2nd， 1902， as a sort of trial run， although the Berlin concert that followed was also a success for Sibelius， if not for the other composers on the program. This revised version is what is commonly performed today. Instrumentation: 2(2nd dPicc).2.2.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475586117,"sku":"SCO1267","price":11484.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1267.jpg?v=1793074307"},{"product_id":"sco1266","title":"シベリウス／劇付随音楽「クオレマ」 op. 44 より 第1曲 悲しきワルツ《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Kuolema (”Death” in Finnish) is a play by Arvid Jarnefelt. Jean Sibelius (1865-1957) happened to be Jarnefelt brother-in-law， and he composed incidental music to the play under the same title (Kuolema， JS 113) in 1903. The incidental music originally included six numbers， and Sibelius himself conducted the premiere performance on December 2， 1903， with the Finnish National Theatre in Helsinki. The standout movement was the first one (Tempo di valse lente - Poco risoluto). In 1904， Sibelius revised this movement and titled it Valse triste， Op. 44 (Sad Waltz)， which premiered on April 25， 1904， in Helsinki. In 1906， Sibelius also combined Nos. 3 and 4 from the original incidental music to create Scen med tranorr (Scene with Cranes)， and this was set as the second movement of Op. 44. But Valse triste was truly the breakout work， and for some time， it was the only work by Sieblius known outside of Finland. In the plot of the play， Paavali waits next to his mother in her deathbed， his mother dreaming of having gone to the ball. Paavali himself falls asleep， then Death comes to take his mother， but she believes Death to be her already dead husband， and she proceeds to dance the Valse triste with him. When Paavali awakes， his mother has passed. The melancholic work， as Sibelius’ breakout work， remains a regular part of concert performances. Instrumentation: 1.0.1.0: 2.0.0.0: Timp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475651653,"sku":"SCO1266","price":2079.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1266.jpg?v=1793074301"},{"product_id":"sco1265","title":"シベリウス／交響曲 第3番 ハ長調 op. 52《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Jean Sibelius (1865-1957) composed his three-movement Symphony No. 3 in C Major， Op. 52 between 1906 and 1907， with the work receiving its premiere by the Helsinki Philharmonic Society under the composer on September 25th， 1907. The work， sometimes called the ”English” Symphony due to both Sibelius’ trip to Britain in 1905 and to its dedication to British composer and Sibelius champion Granville Bantock， holds a role as a transitional piece in the Finnish composer’s symphonic output. Where his first two symphonies are patriotic and grandiose Romantic works， and the later symphonies are more austere， Symphony No. 3 is a work that doesn’t fit well into either period， with the first two movements tending towards ”classicism” while the third movement defies any categorization. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475684421,"sku":"SCO1265","price":9405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1265.jpg?v=1793074307"},{"product_id":"sco1264","title":"シベリウス／交響曲 第2番 ニ長調 op. 43《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Described by Jean Sibelius (1865-1957) as 殿 confession of the soul， Symphony No. 2 was written in Italy after Baron Axel Carpelan， who had given Finlandia its name， encouraged the composer to spend some time in 殿 country where one learns cantabile， balance and harmony， plasticity and symmetry of lines， a country where everything is beautiful - even the ugly. While Sibelius always maintained that all of his symphonies were pure， absolute music， the work was appropriated as a programmatic emblem of 　Finland’s national liberation from Russia quickly following its March 8th， 1902 premiere by the Helsinki Philharmonic Society， Sibelius conducting. Instrumentation: 2.2.2.2: 4.3.3.1: Timp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475848261,"sku":"SCO1264","price":17721.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1264.jpg?v=1793074298"},{"product_id":"sco1263","title":"シベリウス／交響曲 第1番 ホ短調 op. 39《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》Started in 1898， Jean Sibelius (1865-1957) completed and premiered his SYMPHONY No. 1 in E minor， Op. 39， the following year when only 33 years old. Dissatisfied with the original version， which has been lost， Sibelius quickly revised the work in 1900， and it is this version that is performed today. Starting with a contemplative clarinet solo over a timpani roll， this early work is characterized by the use of string and woodwind solos. Perhaps more lushly romantic than his later works， the work still showcases the structure and logic inherent in Sibelius’ later works. Instrumentation: 2(dPicc).2.2.2: 4.3.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475881029,"sku":"SCO1263","price":20790.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1263.jpg?v=1793074296"},{"product_id":"sco1262","title":"シベリウス／カレリア組曲 op. 11《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The first significant success for Jean Sibelius (1865-1957)， KARELIA MUSIC was commissioned for a lottery sponsored by the Viipuri Students’ Association to foster education in Vyborg Province. Its first performance on November 13 at the Imperial Alexander University in Helsinki could scarcely be heard due to the rowdy and restless behavior of the audience. Ten days later， Sibelius conducted the overture， and three movements which he later developed into the KARELIA SUITE， Op. 11. The Intermezzo enshrines the courage of the Karelian people who stood up against their Lithuanian oppressors， followed by a somber and dignified Ballade based on a Karelian folk melody. The Alla Marcia， a brisk and sunny march， brings the work to a rousing conclusion. Instrumentation: 2+Picc.2(1st dEH).2.2: 4.3.3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set). Reprint edition.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141475913797,"sku":"SCO1262","price":6237.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1262.jpg?v=1793074306"},{"product_id":"sco1261","title":"シベリウス／交響詩「フィンランディア」 op. 26-7《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》FINLANDIA was written by Jean Sibelius， one of the most celebrated Finnish composers. Originally written in 1899 for a Finnish press fund-raising gala under the name \"Finland Awakens，\" this piece， along with a few other works performed at the gala， were written to covertly oppose Russia’s increasing censorship. Sibelius revised and renamed this work to its current title in 1900. It premiered on July 2， 1900， in Helsinki by the Helsinki Philharmonic Society conducted by Robert Kajanus. At times， FINLANDIA was performed under different names to avoid Russian censorship until Finland gained independence following World War I. The piece begins in a tense and ominous mood， played by brass and timpani. The mood intensifies with the addition of strings and woodwinds. It gradually leads to a more jubilant and militant section followed by the famous hymn-like theme. Sibelius later reworked the hymn to be a stand-alone piece， \"Finlandia Hymn.\" Words were then given to this hymn， which has become one of the most important national songs of Finland. Instrumentation: 2.2.2.2: 4.3.3+BTbn.1: Timp.Perc(3): Str(9.8.7.6.5).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141476077637,"sku":"SCO1261","price":4158.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1261.jpg?v=1793074282"},{"product_id":"sco1260","title":"シベリウス／ヴァイオリン協奏曲 ニ短調 op. 47《輸入オーケストラスコア》","description":"\u003cp\u003e《輸入楽譜》The most frequently recorded and performed among the violin concertos written in the 20th century， Jean Sibelius (1865-1957) began planning for the work in 1899. Delayed by a move to Helsinki and the composer’s increasing addiction to alcohol， Sibelius began work earnestly in 1903 and into 1904， with an intention to dedicate the work to an acquaintance， Willy Burmester， who was to premiere the work. Financial considerations resulted in the premiere being rushed， with a less well-known local violinist named Victor Novacek asked to learn a very difficult violin concerto in very little time， to perform with the Helsinki Philharmonic on February 8， 1904 under the composer’s baton. The failure that followed compelled Sibelius to withdraw the work as written.  He revised the work in 1905， making cuts and changes to the harmony and orchestration. The revised version was premiered on October 19， 1905， with soloist Karel Halr performing with the Berlin Court Orchestra， Richard Strauss conducting. The work would fully enter the repertoire following the first recording made by the great Jascha Heifetz in 1935. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141476110405,"sku":"SCO1260","price":8316.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/SCO1260.jpg?v=1793074293"}],"url":"https:\/\/www.gakufu.co.jp\/collections\/shu-ru-okesutora-series__sco-genre__okesutorahurusukoa.oembed","provider":"ロケットミュージック","version":"1.0","type":"link"}