{"title":"輸入,オーケストラ,series__PTS,genre__ストリングオーケストラクラシック(輸入)","description":null,"products":[{"product_id":"pts22","title":"バッハ／2台のチェンバロのための協奏曲 ハ長調 BWV 1061（第2チェンバロパート譜）（バッハ協会版）《輸入チェンバロ楽譜》","description":"\u003cp\u003e《輸入楽譜》Written by J.S. Bach (1685-1750) sometime in 1733-1734， the Concerto for Two Harpsichords in C， BWV 1061 appears to have been originally written for only the two solo harpsichords. The string parts were added later， and perhaps not by Bach himself. That the strings play no independent role but merely double the keyboards when they are playing permits this work to easily be performed in its original 2-player format or with the string accompaniment if an occasionally fuller sound with augmented cadences is preferred. Instrumentation: Str (2-2-2-1-1 in set): Soli Harpsichords (2) or Soli Harpsichords (2) only.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492166725,"sku":"PTS22","price":2475.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS22.jpg?v=1793074288"},{"product_id":"pts18","title":"ヘンデル／合奏協奏曲 ロ短調 op. 6 No. 12 HWV 330（チェンバロパート譜）（ヴァイスマン編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》George Frideric Handel’s (1685-1759) Concerti Grossi， Op. 6 (also Twelve Grand Concertos， HWV 319-330)， are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo， and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli’s concerto da chiesa and concerto da camara than on Antonio Vivaldi’s three-movement form adopted by J.S. Bach， these 1739 works were composed to be performed during the intermissions of Handel’s oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 12 in B minor， HWV 330， is predominantly newly composed， although the final fugue is derived from a fugue by Handel’s music teacher， Friedrich Wilhelm Zachow. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. This urtext edition has been edited by Wilhelm Weismann.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492199493,"sku":"PTS18","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS18.jpg?v=1793074318"},{"product_id":"pts17","title":"ヘンデル／合奏協奏曲 ヘ長調 op. 6 No. 9 HWV 327（チェンバロパート譜）（ヴァイスマン編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》George Frideric Handel’s (1685-1759) Concerti Grossi， Op. 6 (also Twelve Grand Concertos， HWV 319-330)， are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo， and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli’s concerto da chiesa and concerto da camara than on Antonio Vivaldi’s three-movement form adopted by J.S. Bach， these 1739 works were composed to be performed during the intermissions of Handel’s oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. The first movement of No. 9 in F， HWV 327 is entirely newly composed， the second and third movements are reworked from the first two movements of the organ concerto in F Major， HWV 295， ”The Cuckoo and the Nightingale，” the fourth and fifth movements are borrowed from the overture of Handel’s Italian opera Imeneo， and the theme for the final movement (Gigue) is reminiscent of Arcangelo Corelli’s Giga from his Concerto Grosso No. 12 of his Twelve concerti grossi， Op. 6， upon which Handel’s concerti grossi was modelled. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. This urtext edition has been edited by Wilhelm Weismann.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492232261,"sku":"PTS17","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS17.jpg?v=1793074318"},{"product_id":"pts16","title":"ヘンデル／合奏協奏曲 変ロ長調 op. 6 No. 7 HWV 325（チェンバロパート譜）（ヴァイスマン編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》George Frideric Handel’s (1685-1759) Concerti Grossi， Op. 6 (also Twelve Grand Concertos， HWV 319-330)， are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo， and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli’s concerto da chiesa and concerto da camara than on Antonio Vivaldi’s three-movement form adopted by J.S. Bach， these 1739 works were composed to be performed during the intermissions of Handel’s oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 7 in B-flat Major， HWV 325， is predominantly new music， though the final Hornpipe movement is derived from Muffat’s Componimenti Musicali. It is also unique in that each of the five movements are brief and there are no real solo\/concertante episodes， although the violoncello has a few brief solos. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Solo Vc. This urtext edition has been edited by Wilhelm Weismann.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492330565,"sku":"PTS16","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS16.jpg?v=1793074315"},{"product_id":"pts15","title":"ジェミニアーニ／合奏協奏曲 変ロ長調 op. 3 No. 5（チェンバロパート譜）（ヘルンリート＆フォーゲル編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》While Italian Baroque composer and violinist Francesco Xaverio Geminiani (1687-1762) has now largely been forgotten， during his lifetime he was considered on the same tier as Handel or Corelli， whose contrapuntal style he emulated. Compositionally， he is best known for three sets of 42 concerti grossi (a term made famous by Corelli): Opus 2 (1732)， Opus 3 (1733) and Opus 7 (1746). These were written for an English audience excited by the ’Corellian’ style， despite the rest of Europe then adopting the fashionable galant style. These concerti grossi proved very popular on performance and were published quickly in London. The collection of Six Concertos (Concerti Grossi)， Op. 3 were written first in 1732-1733， but were revised by Geminiani in 1755. This edition of Concerto Grosso in B-flat， Op. 3， No. 5 has been edited by Robert Hernreid， and it features combined ripieno and concertante string parts (4-4-3-3-3 in the set) into each instrument part and a realized cembalo\/harpsichord continuo by Alexander Vogel. Reprint edition.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492363333,"sku":"PTS15","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS15.jpg?v=1793074317"},{"product_id":"pts14","title":"ジェミニアーニ／合奏協奏曲 ト短調 op. 3 No. 2（チェンバロパート譜）（ヘルンリート編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》While Italian Baroque composer and violinist Francesco Xaverio Geminiani (1687-1762) has now largely been forgotten， during his lifetime he was considered on the same tier as Handel or Corelli， whose contrapuntal style he emulated. Compositionally， he is best known for three sets of 42 concerti grossi (a term made famous by Corelli): Opus 2 (1732)， Opus 3 (1733) and Opus 7 (1746). These were written for an English audience excited by the ’Corellian’ style， despite the rest of Europe then adopting the fashionable galant style. These concerti grossi proved very popular on performance and were published quickly in London. The collection of Six Concertos (Concerti Grossi)， Op. 3 were written first in 1732-1733， but were revised by Geminiani in 1755. This edition of Concerto Grosso in G minor， Op. 3， No. 2 has been edited by Robert Hernreid， and it features combined ripieno and concertante string parts (4-4-3-3-3 in the set) into each instrument part and a realized cembalo\/harpsichord continuo.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492559941,"sku":"PTS14","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS14.jpg?v=1793074317"},{"product_id":"pts21","title":"バッハ／2台のチェンバロのための協奏曲 ハ長調 BWV 1061（第1チェンバロパート譜）（バッハ協会版）《輸入チェンバロ楽譜》","description":"\u003cp\u003e《輸入楽譜》Written by J.S. Bach (1685-1750) sometime in 1733-1734， the Concerto for Two Harpsichords in C， BWV 1061 appears to have been originally written for only the two solo harpsichords. The string parts were added later， and perhaps not by Bach himself. That the strings play no independent role but merely double the keyboards when they are playing permits this work to easily be performed in its original 2-player format or with the string accompaniment if an occasionally fuller sound with augmented cadences is preferred. Instrumentation: Str (2-2-2-1-1 in set): Soli Harpsichords (2) or Soli Harpsichords (2) only.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492527173,"sku":"PTS21","price":2475.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS21.jpg?v=1793074289"},{"product_id":"pts9","title":"バッハ／2つのヴァイオリンのための協奏曲 ニ短調 BWV 1043（チェンバロパート譜）（バッハ協会版）《輸入チェンバロ楽譜》","description":"\u003cp\u003e《輸入楽譜》Concerto for Two Violins in D minor， BWV 1043 was written by Johann Sebastian Bach (1685-1750). Also known as the Double Violin Concerto， it was composed as part of a concert series Bach ran as the Director of the Collegium Musicum in Leipzig， and it remains one of his most successful works. Instrumentation: 2 Vn Soli: Hpshd: Str (2-2-2-1-1 in set).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492592709,"sku":"PTS9","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS9.jpg?v=1793074319"},{"product_id":"pts11","title":"バッハ／2台のチェンバロのための協奏曲 ハ短調 BWV 1060（第1チェンバロパート譜）（バッハ協会版）《輸入チェンバロ楽譜》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492658245,"sku":"PTS11","price":1683.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS11.jpg?v=1793074258"},{"product_id":"pts10","title":"バッハ／三重協奏曲 イ短調 BWV 1044《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492625477,"sku":"PTS10","price":1683.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS10.jpg?v=1793074258"},{"product_id":"pts13","title":"バッハ／ブランデンブルク協奏曲 第6番 変ロ長調 BWV 1051（チェンバロパート譜）（バッハ協会校訂・編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig， the Margrave of Brandenburg-Schwedt. With the original French title ”Six Concerts plusieurs instruments” (Six Concertos for several instruments)， some feature multiple solo instruments in different combinations. These works are considered among the best orchestral compositions of the Baroque period. The Brandenburg Concerto No. 6， BWV 1051， takes a unique approach to ending the collection of six works， as it includes no violins， giving the most prominent role to the two violas da braccio (standard violas so called to distinguish them from the violas da gamba). Instrumentation: 2Va.2Va da Gamba.Vc.Bass: Hpchd in set (set as scored).\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492691013,"sku":"PTS13","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS13.jpg?v=1793074315"},{"product_id":"pts7","title":"エルガー／序奏とアレグロ op. 47（ソリパート譜）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》Sir Edward Elgar’s Introduction and Allegro for Strings， Op. 47， was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet and string orchestra， Elgar composed it to show off the players’ virtuosity.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492723781,"sku":"PTS7","price":3366.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS7.jpg?v=1793074285"},{"product_id":"pts6","title":"コレッリ／合奏協奏曲 ト短調 op. 6 No. 8「クリスマス」（ソロ・パート譜）（ヴェール編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》The present edition of Corelli’s \"Christmas\" Concerto is based on the edition by Roger of Antwerp， printed in 1714.  At that time， 12 Concerti Grossi - namely 8 Church Concerti (Concerti da Chiesa) and 4 Chamber Concerti (Concerti da Camera) were published posthumously in 1714 under opus number 6， having been commissioned by Cardinal Pietro Ottoboni.  The Christmas Concerto is the eighth of this series， and was likely composed sometime around 1690. The concerto is scored for an ensemble of two concertino violins and a cello， plus the ripieno strings and continuo.  The harpsichord or organ continuo was realized by Waldemar Woehl.  It is structured as a concerto da chiesa， though it has been expanded from a typical four movement structure to six. Detailed Instrumentation: Vn Soli (2).Vc Solo: Str: Hpchd continuo\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492756549,"sku":"PTS6","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS6.jpg?v=1793074258"},{"product_id":"pts8","title":"ヴィヴァルディ／協奏曲集「四季」より 第1番 ホ長調「春」RV 269（ソロパート譜）（ジェンキンス編）《輸入オーケストラ楽譜》","description":"\u003cp\u003e《輸入楽譜》THE FOUR SEASONS concerti， Antonio Vivaldi’s most popular works， are exemplary both as early， detailed examples of what would come to be called \"program music，\" but also because of the revolution in musical concepts necessary to make the music programmatic， with representations of singing birds (differentiated by species)， buzzing flies， storms， flowing creeks， and shepherd and his barking dog， hunting parties， parties hunted， drunken dancers， frozen landscapes， and warm winter fires. Vivaldi even published the concerti with accompanyting sonnets that made clear what in each season the music was meant to invoke. While the other three concerti are wholly original， \"Spring\" actually borrows patterns from Vivaldi’s sinfonia in the first act of his opera IL GIUSTINO. Instrumentation in set: Org or Hpchd: Str (8-8-5-5-5): Solo Vn.\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492789317,"sku":"PTS8","price":1386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS8.jpg?v=1793074318"},{"product_id":"pts12","title":"バッハ／2台のチェンバロのための協奏曲 ハ短調 BWV 1060（第2チェンバロパート譜）（バッハ協会版）《輸入チェンバロ楽譜》","description":"\u003cp\u003e《輸入楽譜》\u003c\/p\u003e","brand":"Kalmus","offers":[{"title":"Default Title","offer_id":46141492822085,"sku":"PTS12","price":1683.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/6015\/9813\/files\/PTS12.jpg?v=1793074255"}],"url":"https:\/\/www.gakufu.co.jp\/collections\/shu-ru-okesutora-series__pts-genre__sutoringuokesutorakurasituku-shu-ru.oembed","provider":"ロケットミュージック","version":"1.0","type":"link"}